On The Road To Fame

By  Cassie Lacey

If the name Dylan Gardner sounds familiar, it’s probably because of his cover of “Abbey Road” by The Beatles. This 17-year-old boy is on his way to fame with his originality, and one can quickly notice that his music and style is inspired by The Beatles. A multi-talented young boy is exactly with we need; with all of the beats, raves, and obsession with dub step, one might agree that this generation of music is growing away from its roots; that isn’t a bad thing, of course. Music has been changing throughout all of human history, and we are counting on kids like Dylan Gardner to help expand our vision of it. Dylan’s music could be compared to happiness if it could sing– catchy, but not annoying. I have large amounts of respect for Mr. Gardner. He is extremely talented, and I can tell that he will be very successful very soon.

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Sonic the Hedgehog in 2015

by Adrian Rzewuski


“‘Sonic is slow and you play as his friends’ might be one of the most unappealing sentences I’ve ever written, but it neatly sums up my experience with Rise of Lyric. Its exploration is so-so, its brawling is tedious, its characters are annoying, and the only stages where it feels like a Sonic game are the ones most likely to suffer technical problems. Rise of Lyric isn’t fundamentally broken or unplayable; it’s just thoroughly disappointing and unpolished, and while it does have some fun to offer, it’s fun that’s been done better in countless similar games.”

– IGN’s review on “Sonic Boom: Rise of Lyric”

Ever since the last major Sonic game for the WiiU and 3DS (which was Sonic Boom), critics ponder about the future for SEGA’s top mascot in 2015. Sonic Boom: Shattered Crystal for 3DS and Sonic Boom: Rise of Lyric for WiiU made fans and gaming critics alike agree that SEGA has done a horrible job with introducing Sonic to the next-generation; in addition, Sonic fans say that Sonic Boom is extremely similar to Sonic the Hedgehog (2006), the game that introduced Sonic to the modern era of gaming technology.

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Maddie & Tae: On the Rise



Start Here appeared on August 28, 2015. The album debuted at seven on the Billboard Top 200 — and number two on the country charts — just as Fly climbed into the country Top Ten. According to Billboard, Start Here is #7 on the top country albums chart.

In Maddie and Tae’s “Start Here”, they sing of traveling and pursuing ones dreams, sort of a “small town, big dreams” type of mentality. In “Girl In a Country Song”, they sing about the typical stereotypes for being a country girl, the way they’re supposed to act, speak, and dress. It’s very fun to listen to, an upbeat song that’s somehow relatable to everyone. In contrast, “No Place Like You” talks about wanting to be with that special someone, and it has a very pleasing ballad-like tune. Even the slow songs, like “Fly” and “The Downside of Growing Up” have a home-y feeling that makes you happy and want to tear up at the same time. This album fits every type of mood, whether you want to think about romance, independence, traveling, or fun and parties. It’s a different kind of country, one that is more modernized and relatable. Overall great album.

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Country Artists You’ll Love

I am not a country music fan. Generally, and like many other people, I enjoy listening to many different genres of music.

The reason I usually distance myself from country is because, in my experience, it usually consists of lackluster stories about nature, “country life,” and lots of sexism — not topics that I find much interest in, and I bet many readers can agree.

However, I was asked write a review on the album called START HERE by singers Maddie & Tae. This duo is remarkably proud of their Country roots and claim to sing songs that are authentic and honest. Although I have never heard of them until now (probably because I don’t pay much attention to country), they seem to be really well known and have a large fan base. But what surprised me was that they are only 19 and 20! That is a year or two older than me!

So, I listened to the songs in their entirety. . .

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